1.) An unhealthy relationship may be one where there is a dangerous imbalance where one individual is being strained or adversely affected. Both parties however can also be negatively affected by the relationship which makes it unhealthy. 2.) Oedipus Complex refers to the psychoanalytical theory which describes a desire for sexual involvement with a parent of the opposite sex and a fueling rivalry towards the parent of the same sex.
3.) I think that it is quite strange and may be regarded as deviant behavior. However, as a child you are dependent on your parent for love and nurturing and sometimes that may be perceived differently and consequently triggers sexual desire rather than the reciprocal love a child is expected to show their parents.
4.) Negative effects that accompany the scenario of older men having children with young girls can include:
- the young girl being stigmatized
- she may be unable to further her education since she has to take care of the child
- the older man may not want to support his child due to the negative connotations that are attached to this scenario and consequently the baby may grow up in poverty.
Siena's Insight
Monday, 14 January 2013
Wednesday, 24 October 2012
Dramatic Significance of Disguises and the character Autolycus
Significance of Disguises in The Winter’s
Tale
Shakespeare, being a skillful play
writer, manipulated characters through the use of disguise for various reasons.
The use of disguise was sometimes used to develop the plot or a particular
theme within the play. In The Winter’s Tale, the presence of disguises
aid in the development of the story.
The existence of disguises within the
play allows for the uninterrupted uncovering of delicate issues. In act 4
Polixenes and Camillo disguise themselves as shepherds in order to discover
what Florizel was up to. This disguise was necessary because if they were
portraying themselves the other character would have acted different around
them and it would have been difficult to determine the truth behind Florizel’s
whereabouts.
Additionally, although a disguise may
play on deception it used by Florizel to gain a true image of Perdita. Since Florizel
is the prince of Bohemia many women would feign love just so he could marry
them. He has therefore devised a plan and has disguised himself as Doricles so
that he may determine if Perdita’s love is genuine. Her love does in fact prove
to be genuine.
The unintentional disguise used by
Perdita helps to establish the theme of spring and rebirth. Perdita plays the
role of a humble commoner who adorns her love and guests with flowers. She is
effective in depicting the season of spring that is evident in Bohemia. Perdita’s
unintentional disguise highlights the theme of rebirth and renewal that is
about to come about in the play. This renewal is also significant in regards to
Leontes, who will be taken from his period of darkness back into the light.
The use of disguises is further seen
through the character Autolycus. He utilizes disguise to enable this role or
character as a petty thief and peddler. Autolycus who is disguised has tricked
Clown and stole his money, he then uses a different disguise so that he would
not be recognized and would be able to sell his items at the sheepshearing. Autolycus’ disguises also help in lightening
the mood of the play, aiding in its transition from a tragedy to a comedy.
Finally, disguise is used as a channel
to gain what is most desired, and in this case it is love. Autolycus, who seems
to be the master of disguises, helps Florizel and Perdita in their disguise so
that they may escape to Bohemia. Florizel who is a prince and Perdita who is
believed to be a commoner are unable to freely love each other, as the King
will hear nothing of this. The two then decide to run away and disguise helps
them to love each other completely without any restraints. Disguise has also
contributed in the denouement of the play in that, Perdita is returned home and
the series of events in Sicilia take a change for the positive.
The dramatic significance/ role of
Autolycus
In the play The Winter’s Tale,
Autolycus plays the role of a peddler and thief. Although his character may seem
minor and inconsequential he has a significant function in the play.
We are first introduced to Autolycus on
the highway singing loudly. He runs into Clown and concocts a plan to execute
his trickery. He pretends to be a victim of a mugging and while Clown laments
his loss he steals the money from his pocket. Clown further enquires into his
mugging, asking who did this to him. Autolycus then describes his mugger as
himself, this is very comedic as Clown does not realize he is being blatantly
tricked and schemed. The audience/ readers may now consider that the character
Clown is a pun in itself, and Autolycus is able to considerably alter the mood
of the play to a lighter one. This significantly helps in the transition of the
play from a tragedy to a comedy as it is tragicomedy.
Furthermore, Autolycus is important to
the play as he greatly assists in its denouement. He helps Perdita and Florizel
to disguise themselves and escape to Sicilia. This ‘noble’ act allows the two
liberally indulge in their love for each other. This also helps in bringing
about a turn of events for the desolate Leontes. The oracle admonished, “The
king shall live without an heir if that which is lost be not found” (Act3;
Scene2), Autolycus has assisted in bringing the ‘lost’ back home which is
significant because this act has relieved the atmosphere in Sicilia. This is the first step in bringing the King
from the gloom and despair that encapsulated him.
Sunday, 14 October 2012
Foreshadow in The Winter's Tale
Foreshadowing within The Winter’s Tale
Shakespeare has utilized the literary
technique of foreshadow in his play The Winter’s Tale in order to
uncover key aspects and future details to the audience/readers.
Shakespeare’s first use of foreshadow
is done by manipulating the setting of the play. He has made it winter and this
foreshadows sad events. Even the young prince Mamillius has established this by
saying, “a sad tale's
best for winter.” We are then made to see how the plot unfolds
with Leontes jealous passion casing the death of both Mamillius and Queen
Hermione and the abandonment of Perdita. He is also indirectly responsible for the death of Antigonus.
In Act 3 scene3, Antigonus tells baby Perdita of a dream he had where Queen Hermione appeared to him. In this dream along with giving him instructions she tells him that he will not see his home again. This dream foreshadows the events in this scene. Antigonus was killed by a bear after laying Perdita down. Therefore, it can clearly be seen how Antigonus' dream acted as a foreshadow because in fact he did not return home.
In Act 3 scene3, Antigonus tells baby Perdita of a dream he had where Queen Hermione appeared to him. In this dream along with giving him instructions she tells him that he will not see his home again. This dream foreshadows the events in this scene. Antigonus was killed by a bear after laying Perdita down. Therefore, it can clearly be seen how Antigonus' dream acted as a foreshadow because in fact he did not return home.
Additionally,
Shakespeare also manipulates the setting later in the play in Bohemia. It is
spring and this acts as foreshadow. Spring symbolizes rebirth and new life. The
audience/readers will now see a change in event and the gloom created by the
King’s folly will now be overshadowed by the happiness and good events to come. Foreshadowing in this instance lets the audience know that the play will have a happy ending opposed to its beginning.
Summary of Act 1-3; The Winter's Tale
Summary of Acts 1-3
v Act 1- The audience/
readers are made aware of the current state of affairs in the play by a lord of
Sicilia and Bohemia. King Polixenes is visiting his friend King Leontes of
Sicilia. He has been at the palace for nine months and is ready to depart. The
King attempts to make him say but is unsuccessful. However his wife Hermione is
able to persuade the Bohemian king to stay.
Her ability to do this has planted in the king, a seed of jealousy. From
then on Leontes becomes madly motivated by jealousy. He suspiciously inspects
his son Mamillius to prove whether he is his father or not and regards
Polixenes and Hermione’s interactions closely.
Leontes then summons Camillo and asks if
he has noticed anything suspicious between Polixenes and Hermione. Camillo says
no but is unsuccessful in convincing the King that he is mistaken. He is the
given orders to poison Polixenes. However, he does not comply and shares the
plans with Polixenes. The two then flee to Bohemia.
v Act 2 – In the
beginning of this Act we see the interaction between Hermione and her son
Mamillius. Mamillius recounts a sad tale to his mother which coincides with the
winter atmosphere. Leontes then storms into the room and publicly accuses
Hermione of being adulterous. Hermione tries to refute his claims but is
unsuccessful and is imprisoned. After
Hermione is taken away Antigonus tries to plead with the King but the King is
already convinced that he is right. However, he decides to ask the oracle of
Delphi for a prophecy and sends 2 men on the journey.
Paulina, loyal to Hermione, tries to visit the
Queen but is denied by the guards. She is able to speak to one of the ladies
(Emilia) and finds out that the Queen has had a baby daughter. With some
reluctance by the guard Paulina is able to take the baby with her to show
Leontes. An action that she believes
will change the King’s mind about the entire affair.
Mamillius, the young prince falls ill due to
the absence of his mother, however, the jealous Leontes attributes this to him
suffering because of his mother’s shame. Paulina then presents the baby to Leontes who
becomes furious. He asks Antigonus if he cannot control his wife. Paulina then speaks out and openly argues
with the King, and act which defies the traditional role of women at that time.
When Paulina leaves the King tells Antigonus to dispose of the baby by burning
it, after some pleading by Antigonus he orders him to leave it in the
wilderness.
v Act 3- On their
way back from the oracle of Delphi, Cleomentes and Dion discuss the atmosphere
and remark that their journey was pleasant. They also express their hope of the
Queen’s innocence. In the mean time, Leontes holds a case in court regarding
Hermione’s adultery, he also charges her with treason for involvement in the
escape of Camillo and Polixenes. Hermione
pleads and defends herself by saying her blatant loyalty makes her innocent. The
two men then enter the court with the oracle’s prophecy. Hermione is found
innocent of course and the King is regarded as a jealous tyrant. The oracle
also prophesizes that he will be without an heir if he does not find Perdita. However,
in his jealous madness he disregards the oracle’s prophecy. A servant then
enters and announces that Mamillius has died, consequently Hermione faints and
is later pronounced dead. The King
belatedly realizes that he has been wrong all along; Paulina fiercely defends
the Queen and blames him for her death. Leontes
promises to visit his son and wife’s grave once every day and also promises to
repent for all his sins.
Meanwhile, Antigonus who is unaware of the oracle’s
prophecy has arrived at the Bohemian coast with the baby. In an aside, he tells
the audience that Hermione appeared to him in a dream bearing the child’s name
(Perdita) and telling him that he would not see Sicilia or his wife again. He
then lays Perdita down and lays jewels and a note with her name around
her. He is chased away by a bear and
after a while, a shepherd and his son come upon Perdita. The clown establishes
that he saw a bear kill a man (Antigonus). They vow to raise the baby as their
own.
Friday, 12 October 2012
Character sketches
Leontes
– The King of Sicilia who exacts his power throughout the play. He is deeply
consumed in jealous thoughts as he believes that his best friend Polixenes and
his wife Hermione are having an affair. He is so deeply rooted in jealousy that
he begins to act irrationally. He has ordered Camillo to poison Polixenes,
imprisons Hermione and abandons his infant daughter. This has consequently
caused the death of his son Mamillius. Although Leontes is called a ‘jealous
tyrant’ by the Oracle, when he has finally realized that he is wrong he begins
to repent.
Leontes
finds happiness once again at the denouement of the play when his daughter
Perdita returns and his wife is revived.
Polixenes
- The King of Bohemia who has spent 9
months away from his kingdom with his friend Leontes in Sicilia. Polixenes can
be regarded as a kind/good friend as he is willing to spend such a long time
away from his palace to be with Leontes. Polixenes’ fondness of his friendship can
further be observed through his conversation with Leontes in Act 1 Scene 2. He is wrongfully accused of being an adulterer
with Hermione and is supposed to be poisoned but he escapes with Camillo back
to Bohemia.
Later
in the play he tries to prevent his son from marrying Perdita, believed to be a
commoner. However, some may regard Polixenes as being a protective father and a
watchful King while other may him as being unreasonably unfair.
Camillo
– He is the servant of King Leontes. He is the first to find out about the King’s
jealous thoughts and is given the burden of poisoning King Polixenes. Camillo
is brave enough to assert the Queen’s innocence; however the King exerts his
power over Camillo and orders him to carry out his plans.
Although
Camillo is the servant of Leontes and bound to him by duty, he betrays the King’s
orders by informing Polixenes of the plan to have him poisoned. He then flees to Bohemia along with the King.
This act by Camillo can be viewed as betrayal to the King or a kind act to help
an innocent man.
Archidamus
– A lord of Bohemia who discusses the friendship between the two kings with
Camillo in the opening Act.
Hermione – The Queen of Sicilia and wife of
Leontes. She is virtuous and faithful to her husband; however she is wrongfully
accused of being unchaste, by Leontes.
Hermione’s devotion to her husband can be seen through her successful
attempt to convince Polixenes to stay longer after he has already denied the
King in Act 1 Scene 2. However, it is ironic that this very notion makes the
King suspicious and jealous. She is later imprisoned although she is pregnant
and has her baby daughter during this time. Hermione dies later in the play at
her trial after hearing of her son’s death. She is then revived at the denouement
of the play.
Perdita - The daughter of King Leontes and Queen
Hermione, who is wrongfully labeled as an illegitimate child by her jealous
father. She is abandoned as a child and is raised by a shepherd in Bohemia.
Perdita later falls in love with Florizel and is aided to flee Bohemia because
of Polixenes’ refusal to let the two coexist as lovers.
Mamillius- The young prince of Sicilia who dies
as a result of the grief sue to the wrongful imprisonment of his mother.
Paulina- A noble woman of Sicilia and the wife
of Antigonus. She is very loyal to Hermione and firm in her stance that the
Queen is innocent. Paulina openly battles the King’s accusations which is
uncommon of a woman to do in that era. She therefore represents the opposite of
a woman of that time, fearless of men, outspoken and unremitting in her claims.
Antigonus- Nobleman and husband of Paulina. He
also believes in the innocence of the Queen and uses strong analogies of his
three daughters to express this. He is given the task to dispose of Perdita at
the Bohemian coast. Sadly he is attacked by a bear and dies.
Cleomentes- Dispatched to visit the Oracle of
Delphos in order to gain a prophecy of Hermione’s status. He is hopeful of the
Queen’s innocence.
Dion- Also dispatched by the King to visit the Oracle
of Delphos. Dion, like Cleomentes hopes that the Queen is pronounced innocent.
Florizel- The prince of Bohemia, son of
Polixenes. He falls in love with Perdita, who is believed to be a shepherd’s daughter
(commoner). As such the two are forbidden to be together but secretly elope and
flees to Sicilia with the help of Camillo.
Shepherd- an old and kind shepherd who finds
Perdita as a baby and raises her as his own.
Autolycus – He resides in Bohemia and is a
peddler and a thief. However, he redeems all his wrong doings by helping
Perdita and Florizel to flee Bohemia so that they could freely love each other.
Sunday, 7 October 2012
The role of prophecies and gods in The Winter's Tale
What role do prophecies and the gods play in the story? Cite
specific examples from the play to support your answer.
In the Shakespeare play The
Winter’s Tale, the role of prophecies and gods play a vital role. They
assist in highlighting themes such as hope and rebirth within the play. Gods such as Apollo and the goddess Proserpina
are discussed along with their surrounding significance. The roles of these
gods play such a significant role that although the King is regarded as truly
powerful they seem to lie above him in the hierarchical structure of that era.
Prophecies seem to be
dire in the play as the King relies on a prophecy from the Oracle of Apollo in
Delphi to confirm his accusations of the Queen’s infidelity; he himself calls
it a ‘greater confirmation’. In Act 2
Scene 1, King Leontes refers to the oracle as “spiritual counsel” which imparts
the idea that he holds the prophecy to be delivered with high esteem. Prophecies
are important because they determine the outcome of situations and proclaim
what is destined to happen. Although the King disregards the Oracle’s claim
that Hermione is innocent because he is so deeply rooted in his jealousy, the prophecy
acts as a foreshadow. This is so because in fact, “the king will live without
an heir, if that which is lost be not found,” the burden of this prophecy is
great due to its truth. Since the king has abandoned his daughter and Mamillius
is now dead he has no heir to his thrown. This will have severe repercussions.
Along with prophecies we
are made to see the great importance that the gods play. It is Hermione who first
calls upon the gods saying, “I do refer me to the Oracle: Apollo be my judge!”
It is quite evident that Apollo plays a great role in her life since she relies
on him to be her judge against her husband’s great accusations. The god Apollo
is also symbolic of hope, this can be seen through Hermione’s prayer to him,
his position as a symbol of hope can also be observed through the wishful conversation
of Cleomenes and Dion.
Later in the play in act IV; scene IV, Perdita
adorns Polixenes and Camillo who are both disguised, with flowers. She is then compared to the goddess Proserpina,
who is the goddess of spring and all growing things. This mention of the
goddess and the comparison to Perdita is significant because it highlights a
very important contrast that occurs within the play. In the beginning it is
winter and this is symbolic of gloom and the upcoming tragedies that will
occur. Perdita and the goddess Proserpina are symbolic of spring, a season of
rebirth. This contrast also acts as a foreshadow as Perdita will eventually
restore the king to a place of happiness when she returns home. One can now see the implicit importance that
the gods as well as prophecies embody within the play.
In conclusion, prophecies
and gods play an important role within the play because they aid in bringing
forth important themes such as hope and rebirth or renewal. They also highlight
the faith that each character holds, seen especially in Hermione.
Wednesday, 3 October 2012
Act 3 Scene 1 –
1)
He is referring to the temple of the oracle.
2)
The oracle is located in Delphos
3)
The oracle is located in Delphi
4)
Two characters speak in this scene.
5)
They speak about the beauty of the place they
have just visited in Delphos.
6)
They want her to say that Hermione is innocent.
7)
They say that it has been pleasant and speedy.
8)
That she is unfaithful.
9)
The oracle is dedicated to Apollo.
10) This
refers to the sealed message they have.
11) They
get horses.
12) They
think little of it and think it is accompanied with violent carriages.
Act 3 Scene 2 –
1)
He calls for the ‘prisoner’.
2)
Committing adultery is one of her charges.
3)
She thinks her integrity and loyalty is enough
proof.
4)
She thinks the accusations make her life not
worth living.
5)
She says they exist only in his dreams
6)
The officer of the court reads it.
7)
He characterizes Leontes as a jealous tyrant.
8)
He lives without an heir.
9)
A servant gives him this news.
10) She
faints.
11) Paulina
tells the king that the queen dies.
12) He
says he’ll visit the grave once a day.
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